This venue is great if it's not raining. Actually, it was raining and still fairly cool. They had different coloured lights on the walls and we stood in the courtyard. The artistes were under cover. The opening act was pretty good. Never heard of them myself but Mr had - Cold Specks. They were quite listenable, and the lead singer kept apologizing about the rain. She has a lovely bluesy voice. We saw the bulk of this set and enjoyed the cider. Also the sight of people squabbling over umbrellas in front of them. Some people get a bit worked up about it all.
Anna Calvi came on quite late after CS had left the stage. Or maybe it just seemed a late because it started raining hard. Anyway, we sat there waiting until about 2145 and then Anna arrived, in full matador outfit. I wasn't crazy about her sound when we saw her indoors last year, but she does know her way around a guitar and is just amazing, really. Very talented. Somerset House worked better for this musician.
She played Jezebel, she riffed ala Jimmy Hendrix and she had a cool backdrop with an eclipse. But it dumped down and Mr grumbled that she waited for three songs to apologize for the rain. Lucky for us she only has one album out so we were done and dusted by 2245. My fingers were wrinkly and it was time to go home and dry off.
Marks out of 10: 7. Would've been higher but the rain. The incessant rain...
Sunday, July 15, 2012
Monday, July 09, 2012
Marina & the Diamonds, Tabernacle, Notting Hill - June 26
Marina and the
Diamonds was rearranged from May due to Marina's voice
going, Tabernacle, Notting Hill
Mr took Tim to this
one, on account of Mrs not being a big fan. Had an early start, so
despite our best efforts and getting a taxi from Notting Hill tube to
the venue, we missed the first song. Tim was of course, buying a double
round of strong lager. It was incredibly hot inside the tiny church.
Allegedly holds 500 people, but there can't have been more than 350 and
it was packed.
The stage
was made out as a living room with the now standard (haha) standard lamp
that every female singer worth their salt seems to have these days –
Adele had em, Paloma Faith had em and now Marina has them, alongside her old
style TV and chaise longue. Fair play, she had made an effort. A great
voice, she sang a mix of songs from both her albums, including "I am
not a robot" and recent hit Primadona. With a couple of costume changes
and masquerading as her Ziggy style Electra Heart alter ego, she made a
real effort and it was a mighty fine show. Although as Mr was with Tim,
alcohol played a part.
The gig
having started at 8.30, was all over by 9.45, and it being a small
venue, a queue soon began to form of very keen fans hoping to get a
photo and an autograph of Marina. As there was still lager to be drunk, they stayed and chatted with mad German lady who had come over for 3 gigs
in 5 days, overheard a chap who was boasting at having set aside £450
for this gig, no matter what and was trying to buy a girl a t shirt to
get signed, with the promise that "I won't try and touch you up or
anything". Anyway, the band passed by, the bouncers started looming and
a big fella ushered us all into single file before threatening to eject
anyone who yelped or shouted. At this, mr £450 man yelped and was
promptly evicted. With his £450. Marina came out and wafted down the
line. Tim and Mt both got her autograph on their tickets and a couple of
fuzzy photos of Mr looming above
everyone. After that, they finished their lager and off they went.
Labels:
Marina and the Diamonds,
Tabernacle,
Tim
Sunday, July 08, 2012
Laura Marling, Royal Albert Hall - July 7
Ah, the Royal Albert Hall! If you live in the UK you've seen it a lot on telly, particularly for the Proms. It looks huge, but in person it's a more intimate venue you would've thought. Laura Marling, a plucky British guitarist, quite sensibly put herself and her band right in the centre of the venue, below those funny mushroom things they've stuck on the ceiling to sort the acoustics out. She didn't sell it out but it didn't matter in the end.
She had no support act and did her show in two parts, with an intermission for Mr to go off and get me a rather cool concert t-shirt that had the date and a really artsy drawing of the venue. Plus a poster for himself. Now, Jack White did the same thing with his show at the Apollo last week, and I have to say it's no bad thing. She did get through 21 songs and it gave us all an opportunity to swivel out of our chairs (the RAH has swivel chairs, how posh!) and go visit concessions. Mr thought the hall was under-resourced in the area of male toilets, which is an unusual complaint. The ladies were good.
Her banter for the first half was a bit awful but the songs largely made up for it, and her early nerves settled down as the night progressed. All the shouting from the audience was largely appreciative - we love you, marry me... Her band is very well coordinated after two years of touring, and seemed to require less tuning than she did with her acoustic guitar. Their silly facts about the RAH were a highlight of the second half. I liked the model of the Royal Albert Hall the cellist and pianist worked on together. Appeared to be partly made out of toilet rolls.
She says she's going to take a break for awhile, but this will give us all an opportunity to listen to her back catalogue. It's quite an excellent way to end a tour. The Royal Albert Hall. Laura Marling said she was terrified when she got on stage, but by the end of the night she and the venue were a perfect fit.
She had no support act and did her show in two parts, with an intermission for Mr to go off and get me a rather cool concert t-shirt that had the date and a really artsy drawing of the venue. Plus a poster for himself. Now, Jack White did the same thing with his show at the Apollo last week, and I have to say it's no bad thing. She did get through 21 songs and it gave us all an opportunity to swivel out of our chairs (the RAH has swivel chairs, how posh!) and go visit concessions. Mr thought the hall was under-resourced in the area of male toilets, which is an unusual complaint. The ladies were good.
Her banter for the first half was a bit awful but the songs largely made up for it, and her early nerves settled down as the night progressed. All the shouting from the audience was largely appreciative - we love you, marry me... Her band is very well coordinated after two years of touring, and seemed to require less tuning than she did with her acoustic guitar. Their silly facts about the RAH were a highlight of the second half. I liked the model of the Royal Albert Hall the cellist and pianist worked on together. Appeared to be partly made out of toilet rolls.
She says she's going to take a break for awhile, but this will give us all an opportunity to listen to her back catalogue. It's quite an excellent way to end a tour. The Royal Albert Hall. Laura Marling said she was terrified when she got on stage, but by the end of the night she and the venue were a perfect fit.
Labels:
Jack White,
Laura Marling,
music,
Royal Albert Hall
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